The Canon EOS C700 MultiDyne 3G Kit is a package for incorporating Canon's flagship cinema camera into an HD broadcast environment. The kit utilizes a V-mount MultiDyne camera back and a rackmount base station, connected with a separately available SMPTE 304M opticalCON fiber optic cable to carry video, audio, power, sync, and various control protocols. While the V-mount plate is available on the MultiDyne camera back, the base station transmits power from the included IDX power supply back to the camera. The base station itself has breakout connections for broadcast equipment. This kit also includes ARRI camera support equipment by way of a top plate, baseplate, a 19mm bridgeplate with rods, a top handle, and a lens support. See below for more information on the items included in this kit.
EOS C700 Cinema Camera
Put Canon's mastery of image processing into a cinema-grade production-ready form factor and you get the EOS C700 Cinema Camera. This version of the C700 comes stocked with Canon's EF lens mount with a positive-locking mechanism, minimizing play found in traditional spring-loaded bayonet-style mounts. Beyond the lens mount is the first stop in the C700's imaging pipeline, the 4.5K CMOS image sensor. With a physical resolution exceeding that of DCI 4K and a dynamic range of approximately 15 stops, the C700 is ready for today's 4K and HDR productions. What good is a sensor without the processing technology to back it up? The C700 is capable of 4K recording at 60p to CFast 2.0 cards using the XF-AVC format. Also available are Apple's well-regarded ProRes formats for direct-to-edit workflows. Raw recording is another possibility through Canon's separately available Codex Digital Recorder which simply clips onto the rear of the C700's modular design. While the C700 is a fairly advanced piece of equipment, Canon has implemented a familiar user interface. Most basic functions can be accessed through the six buttons surrounding the screen. More advanced settings can be found using the simple selection dial and set buttons. I/O options for nearly any application can be found on the C700's side panel. Video, audio, control, and power inputs and outputs are available for implementations ranging from ENG-style run-and-gun to high-budget cinema productions. While the C700 is a production powerhouse all on its own, its modular design lets the user customize the form factor to fit their use case. The rectangular body has enough real-estate to be shoulder-mounted for handheld shooting or secured to a dovetail on professional grip equipment with ease. And for the first time on a Cinema EOS camera, native V-mount battery support is available via an installed IDX battery plate.
Support Plate for Canon C700
The Support Plate for Canon C700 from Arri is compatible with VCT-style base plates like the ARRI QRP-1, and with bridge plates such as the BP-8 or BP-9. This double-duty plate's features include extended right and left handgrip rosettes, 15mm LWS rod support, and an integrated, curved shoulder pad.
Top Plate with Rod Support for Canon EOS C700
ARRI's Top Plate with Rod Support for Canon EOS C700 is designed for use in low-mode setups. This plate adds 15mm LWS rod support to the top of your camera, leaving the bottom of the camera unencumbered and suited for low-mode Steadicam and tabletop setups. The screw-on Top Plate also features multiple 3/8"-16 and 1/4"-20 accessory mounts and a tape hook for measuring focus distances.
CCH-2 Center Camera Handle
Expand your options for mounting HD camera accessories like monitors, transmitters, mic holders, French flags, etc., on your ARRI camera rig by using the ARRI CCH-2 Center Camera Handle. This sturdy carrying handle screws onto a UAP-2 adapter plate (available separately), and features multiple 3/8"-16 and 1/4"-20 threaded holes for attaching accessories. Designed for use with ALEXA M, ALEXA Mini, and AMIRA cameras, it will also work with many ARRI accessory-equipped third-party cameras.
BP-8 Bridge Plate Set with 12" Dovetail & 19mm Rods (17")
Use ARRI's BP-8 Bridge Plate Kit to balance your camera and to support 19mm rod-based accessories. The kit consists of the BP-8 sled, a 12" bottom dovetail plate, and a 17" pair of 19mm support rods. Directly compatible with the ARRI ALEXA Studio, the Sony F65, and the Phantom Flex4K, the BP-8 Kit can be adapted for use with the ARRI ALEXA Mini, AMIRA, and many third-party cameras (adapters available separately).
LS-9 Lens Support for 19mm Studio Bridge Plate
The ARRI LS-9 Lens Support features a snap-on design enabling you to attach the support to your camera rig's 19mm rods without needing to remove other rod-mounted accessories. This adjustable lens support screws into a lens support foot and can be used with the ARRI BPS-2 studio bridge plate.
IA-300a Triple Channel Camera Power Supply
The IDX IA-300a is a 210W power supply offering three 4-pin XLR outputs. It features a metal housing and an integrated carry handle.
CA-4XLR 4-pin XLR Male to 4-pin XLR Female Cable - 10'
The IDX CA-4XLR is a 10' 4-Pin XLR power extension cable. It features a 4-Pin XLR male connector on one end and a female 4-Pin XLR connector on the other end. This allows the user to extend the distance between the power source and the equipment an extra 10'.
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